RELINQUISH YOUR DRIVE
TO STAY
IN THE FLESH.
LAY YOUR BODY BARE. ALLOW YOURSELF TO BE STRIPPED DOWN TO SINEW AND SENSATION. WATCH AS YOUR FLESH BECOMES ARCHIVE, ARTIFACT, AND EXPERIMENT. RELISH IN THE ENDLESSNESS OF YOUR EXISTENCE. BEFORE YOU RESTS ALL YOU’VE BEEN, ALL YOU ARE, AND ALL YOU MAY BECOME — CLAIM IT.
BONES AND ALL.
BONES AND ALL.
APPLY TO NO. 24 NOW ︎︎︎
No. 21 applications are now live here.
Applications close August 30th @ 11:59 p.m. CST.
1/ This issue’s steering themes.
THE GUIDE TO NO. 21
Challenging the tendency to escape into our past and futures, this issue will look to the here and now, exploring second chances, turning points, and the moments in life where everything can change. In this issue, you can be anything. The question is: What are you willing to change and how far are you willing to go to become who you always knew you could be?
LITERARY INSPIRATIONS
/ BIOMYTHOGRAPHY / AUDRE LORDE / MAGICAL REALISM / TONI MORRISON / EARTHSEED / OCTAVIA BUTLER / ESCAPING ESCAPISM / REIMAGINATION / DESTRUCTION AS CREATION / METAMORPHOSIS / NEO-EXPRESSIONISM / EVERYTHING EVERYWHERE ALL AT ONCE / HOPE AS A DISCIPLINE / MARIAME KABA / PARASITE / SOCIOLOGY, PSYCHOLOGY, & ANTHROPOLOGY / AGITPROP / FOLK TALES & MYTHS / ICONS, IDOLS, & HEROES / FATE & FREE WILL /
/ BIOMYTHOGRAPHY / AUDRE LORDE / MAGICAL REALISM / TONI MORRISON / EARTHSEED / OCTAVIA BUTLER / ESCAPING ESCAPISM / REIMAGINATION / DESTRUCTION AS CREATION / METAMORPHOSIS / NEO-EXPRESSIONISM / EVERYTHING EVERYWHERE ALL AT ONCE / HOPE AS A DISCIPLINE / MARIAME KABA / PARASITE / SOCIOLOGY, PSYCHOLOGY, & ANTHROPOLOGY / AGITPROP / FOLK TALES & MYTHS / ICONS, IDOLS, & HEROES / FATE & FREE WILL /
VISUAL INSPIRATIONS
/ METROPOLITAN / 1990’S ADVERTS / THE IT GIRL / ADAPTATION / GRACE JONES / NEW AGENCY / MOONLIGHT / JENNY HOLZER / PARIS IS BURNING / CITY OF ANGELS / TANGERINE / THE ELEVATED PEDESTRIAN / THE SUPERMODEL / HAPPY TOGETHER / DESTROY THE FORMER / PEARL / OSCAR yi HOU / SPIRITUAL ECSTASY / Y TU MAMÁ TAMBIÉN / REPURPOSED CROWNS / SPORTS CARS / NERVE / CHAIN LINK FENCES / SUBVERT REGALITY / OVERCOME THE CONCRETE / ADORN THE BODY /
/ METROPOLITAN / 1990’S ADVERTS / THE IT GIRL / ADAPTATION / GRACE JONES / NEW AGENCY / MOONLIGHT / JENNY HOLZER / PARIS IS BURNING / CITY OF ANGELS / TANGERINE / THE ELEVATED PEDESTRIAN / THE SUPERMODEL / HAPPY TOGETHER / DESTROY THE FORMER / PEARL / OSCAR yi HOU / SPIRITUAL ECSTASY / Y TU MAMÁ TAMBIÉN / REPURPOSED CROWNS / SPORTS CARS / NERVE / CHAIN LINK FENCES / SUBVERT REGALITY / OVERCOME THE CONCRETE / ADORN THE BODY /
SAMPLE WRITING PITCHES
For Print writing applicants — try to not pitch stories too similar to these pitches. They are meant to serve as inspiration for your own pitches, both in terms of format and guiding themes.
Photo: Max vom Hofe
I’M A LEGEND
They begin in 1970s New York. You know them, by name or by tag — Rammellzee, Lady Pink, Fab 5 Freddy, Basquiat, CRASH, and DAZE. You’ve seen their work — on brick walls and street signs, under bridges and inside tunnels. They adorn the city with their signatures, expansive murals, and elaborate pieces. In doing so, they not only transform their environment — they transform themselves and each other. They transform the world.
I’M A LEGEND will explore the Graffiti and Street Art movements — their pioneers’ groundbreaking impact on the contemporary art world and their enduring influence on every industry in every city, speaking to the importance of democratized, public art and the communities who built it.
By Editorial Director Aaron Boehmer
They begin in 1970s New York. You know them, by name or by tag — Rammellzee, Lady Pink, Fab 5 Freddy, Basquiat, CRASH, and DAZE. You’ve seen their work — on brick walls and street signs, under bridges and inside tunnels. They adorn the city with their signatures, expansive murals, and elaborate pieces. In doing so, they not only transform their environment — they transform themselves and each other. They transform the world.
I’M A LEGEND will explore the Graffiti and Street Art movements — their pioneers’ groundbreaking impact on the contemporary art world and their enduring influence on every industry in every city, speaking to the importance of democratized, public art and the communities who built it.
By Editorial Director Aaron Boehmer
Photo: Natalia Drepina
THE FIREBRAND
There are people you hear about, in the news, on podcasts, or on TedTalks, who seem to live in a reality that not only contradicts our own, but has been constructed solely by themselves. Their charisma, eccentricity, and fervor gather tens or hundreds of followers to them: the kinds of people ready to go up in flames for the cause.
The Firebrand will examine radical acts of devotion and self-transformation by cult leaders and conspiracy theorists who created entire worlds through sheer willpower — and led others directly into the line of fire.
By Senior Print Editor Ella Rous
There are people you hear about, in the news, on podcasts, or on TedTalks, who seem to live in a reality that not only contradicts our own, but has been constructed solely by themselves. Their charisma, eccentricity, and fervor gather tens or hundreds of followers to them: the kinds of people ready to go up in flames for the cause.
The Firebrand will examine radical acts of devotion and self-transformation by cult leaders and conspiracy theorists who created entire worlds through sheer willpower — and led others directly into the line of fire.
By Senior Print Editor Ella Rous
Photo: wanderlustCie on Pinterest
SUMMER SOLSTICE
I plant my seeds in January. By June of that year, when the air is hot enough that it kisses my cheeks through my third-story apartment windows, I know that I am in full bloom. I baptize myself in algae-green river water one 100-degree afternoon, and re-emerge, born again, into the balmy reverie of the season.
Summer Solstice tells the story of the Dionysian euphoria I find myself in during the summer, allowing me to dip my toes into the fantasies of my best self.
By Associate Print Editor Andreana Joi Faucette
I plant my seeds in January. By June of that year, when the air is hot enough that it kisses my cheeks through my third-story apartment windows, I know that I am in full bloom. I baptize myself in algae-green river water one 100-degree afternoon, and re-emerge, born again, into the balmy reverie of the season.
Summer Solstice tells the story of the Dionysian euphoria I find myself in during the summer, allowing me to dip my toes into the fantasies of my best self.
By Associate Print Editor Andreana Joi Faucette
Photo: Sarita Walsh
SYNESTHESIA
You saw it too? Across human history, people have affirmed the reality of the present through the universal sensory experience. Duke Ellington, Vincent Van Gogh, and David Hockney experience synesthesia. The sound of a drum could be synonymous with a jagged red line; a written number 7 could trigger the taste of tea. Why does this entirely individual experience lend itself to widely appreciated art?
Synesthesia will explore emotion through the perspective of artists with synesthesia and their most influential works.
You saw it too? Across human history, people have affirmed the reality of the present through the universal sensory experience. Duke Ellington, Vincent Van Gogh, and David Hockney experience synesthesia. The sound of a drum could be synonymous with a jagged red line; a written number 7 could trigger the taste of tea. Why does this entirely individual experience lend itself to widely appreciated art?
Synesthesia will explore emotion through the perspective of artists with synesthesia and their most influential works.
By Associate Print Editor Paige Hoffer
Photo: chiara on Pinterest
MAGICAL THINKING
After my father died, I prayed for rain. They say that rain cleanses — that water washes away the worst of sins. For the past year, I’d been hoping for a flood or tsunami, for torrential downfall to wipe me clean of memories, of sorrows, of everything I’ve done wrong.
Through the narrative of my trip to the Moors in the UK, Magical Thinking will explore themes of grief and growth, using the sun versus rain to define a moment that changed my life.
By Assistant Print Editor Anjali Krishna
After my father died, I prayed for rain. They say that rain cleanses — that water washes away the worst of sins. For the past year, I’d been hoping for a flood or tsunami, for torrential downfall to wipe me clean of memories, of sorrows, of everything I’ve done wrong.
Through the narrative of my trip to the Moors in the UK, Magical Thinking will explore themes of grief and growth, using the sun versus rain to define a moment that changed my life.
By Assistant Print Editor Anjali Krishna
QUESTIONS ABOUT THE THEME?
Keep an eye on our social media for posts about in-person tabling and info sessions during the weeks of August 21st and 28th. You can also contact us at the following emails:
For creative application questions, contact directors at
creative@sparkmagazinetx.com
For writing application questions, contact editors at
editorial@sparkmagazinetx.com
For design application questions, contact directors at
design@sparkmagazinetx.com
creative@sparkmagazinetx.com
For writing application questions, contact editors at
editorial@sparkmagazinetx.com
For design application questions, contact directors at
design@sparkmagazinetx.com
For business application questions, contact directors at
business@sparkmagazinetx.com
For general inquiries, contact Mateo Ontiveros at
managing@sparkmagazinetx.com
To reach the Editor In Chief, contact Maliabo Diamba at
editor@sparkmagazinetx.com
business@sparkmagazinetx.com
For general inquiries, contact Mateo Ontiveros at
managing@sparkmagazinetx.com
To reach the Editor In Chief, contact Maliabo Diamba at
editor@sparkmagazinetx.com
BECOMING A PART OF NO. 21 STAFF
How to Apply:
1/ Complete the application here. You may only apply to three departments and if accepted, can hold a maximum of two positions.
2/ Before you submit, ensure that all Google files have been set to “Anyone with the link can view.” Due to the volume of applications we receive, any application we cannot fully access is automatically disqualified.
3/ Applications close August 30th @ 11:59 p.m. CST.
1/ Complete the application here. You may only apply to three departments and if accepted, can hold a maximum of two positions.
2/ Before you submit, ensure that all Google files have been set to “Anyone with the link can view.” Due to the volume of applications we receive, any application we cannot fully access is automatically disqualified.
3/ Applications close August 30th @ 11:59 p.m. CST.
Terms of Eligibility:
1/ You must be a registered undergraduate or graduate student at The University of Texas at Austin.
2/ You do not need prior editorial experience, but may be asked to produce a portfolio depending on the department-specific application.
3/ Upon acceptance, you must consent to signing a Work Release Form and Liability Release Form. This is so you can work on photoshoots and we can publish your work in print and online!
4/ You must be 18+ years old at the time of application submission.
5/ You must agree to uphold SPARK’s zero-tolerance policy and understand that failure to comply with our standards will result in immediate dismissal from staff.
1/ You must be a registered undergraduate or graduate student at The University of Texas at Austin.
2/ You do not need prior editorial experience, but may be asked to produce a portfolio depending on the department-specific application.
3/ Upon acceptance, you must consent to signing a Work Release Form and Liability Release Form. This is so you can work on photoshoots and we can publish your work in print and online!
4/ You must be 18+ years old at the time of application submission.
5/ You must agree to uphold SPARK’s zero-tolerance policy and understand that failure to comply with our standards will result in immediate dismissal from staff.
To offer a broad range of opportunities, SPARK is divided into four branches — EDITORIAL, CREATIVE, DESIGN, and BUSINESS — that all together house 13 departments. You can apply to any three of them and hold a maximum of two positions.
EDITORIAL
Departments: Print, Web.
Writers concept, pitch, and draft stories for our website, biannual print issues, and sometimes serve as ad hoc copywriters throughout the semester.
Departments: Print, Web.
Writers concept, pitch, and draft stories for our website, biannual print issues, and sometimes serve as ad hoc copywriters throughout the semester.
CREATIVE
Departments: Modeling, Photography, Styling, Videography, Hair & Makeup.
As members of SPARK’s largest branch, creatives work on- and off-set to produce editorial-level visual assets published on the website and in biannual print issues.
Departments: Modeling, Photography, Styling, Videography, Hair & Makeup.
As members of SPARK’s largest branch, creatives work on- and off-set to produce editorial-level visual assets published on the website and in biannual print issues.
DESIGN
Departments: Layout, Graphic Design.
Designers are in charge of magazine layouts, digital art, front-end web development, and producing other mixed-media assets for print and online publication.
Departments: Layout, Graphic Design.
Designers are in charge of magazine layouts, digital art, front-end web development, and producing other mixed-media assets for print and online publication.
BUSINESS
Departments: Social Media, Marketing, Events.
Business branch members coordinate recruitment, plans and hosts events, manages finances, and keeps our social media up-to-date.
Departments: Social Media, Marketing, Events.
Business branch members coordinate recruitment, plans and hosts events, manages finances, and keeps our social media up-to-date.
M.E.D.
The Multidisciplinary Experiment Division is a new mixed-media studio for innovative SPARK staff members interested in pushing the boundaries of design technology. Past projects have included digital couture, 3D rendering, audio engineering, and A/R game design. Due to its interdisciplinary nature — merging elements from all four branches — the M.E.D. department is housed in its own division separate from other branches and departments.
ZERO-TOLERANCE POLICY
SPARK does not and will never tolerate discrimination on the basis of race, color, gender, class, national origin, religion, age, or disability. As a non-UT affiliated organization, SPARK’s Executive Board reserves the right to permanently dismiss any leadership or staff member whom it feels has failed to uphold SPARK’s standards of fairness, equity, and inclusion. We are under no obligation to facilitate an accused member’s defense or obtain permission from the university.
For more information about applying to SPARK, refer to our FAQ or contact us.
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